RE: Sagittarius
R. Sale > 18-12-2022, 08:48 PM
As I see the archer's hat above and in the VMs, there is a significant brim. This would appear to match the 'Burgundian' style of chaperon. There would appear to be a fair variety of hat styles encompassed by the term "chaperon" during the first half of the 1400s, given that various hoods and cowls are also included.
In the Cabochien revolt, those who wore the white chaperon are noted as 'the butchers and skinners'. Being lower class and given the conditions of these professions, it seems more likely they wound have favored hoods and cowls over something that dangled and got in the way.
What has the VMs artist done, if 'le chaperon blanc' really was a hood originally? The VMs artist has done just the opposite. Has gone as far away from the 'hood-style' representation of a chaperon as possible, but still remains *inside* the definition of a chaperon. The VMs representation may look 'all wrong', but once it is named in C-14 relevant terminology, then its significance cannot be missed by those who were/are familiar with the relevant historical events. Paris of 1413 could be recent history in the C-14 timeframe, not lost in historical trivia.
This sort of trickery, this manipulation of appearance, shows up in other VMs representations from Melusine to White Aries. In the center of the VMs cosmos, where the historical sources (BNF Fr. 565 & Harley 334) are pictorial images, the VMs has gone literary. VMs has switched from pictures to words. This is a code shift. The visual differences could not be more extreme, but the structure is the same. The VMs has polygonal stars compared to asterisk stars - etc. It's a trick! Appearance is pushed to the edge of contradiction, but not really. Finding the relevant name, despite the visual ambiguity and the historical obscurity, helps to define the VMs reality, (cloud band, Melusine, 'le chaperon blanc', etc.)