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[split] f35v parallels "oak and ivy" - Printable Version +- The Voynich Ninja (https://www.voynich.ninja) +-- Forum: Voynich Research (https://www.voynich.ninja/forum-27.html) +--- Forum: Imagery (https://www.voynich.ninja/forum-43.html) +--- Thread: [split] f35v parallels "oak and ivy" (/thread-1869.html) |
RE: [split] f35v parallels "oak and ivy" - MarcoP - 21-04-2017 (21-04-2017, 08:46 AM)Koen Gh. wrote: You are not allowed to view links. Register or Login to view.I tried to split off the You are not allowed to view links. Register or Login to view. discussion into a separate thread just for clarity. Well done ![]() (21-04-2017, 08:46 AM)Koen Gh. wrote: You are not allowed to view links. Register or Login to view.Marco: what makes me believe that there is distance between the VM and the other examples is the fact that a number of crucial elements are different, which are common to the Italian herbals. I agree on the distance between the VMS illustration and other illustrations. I just can't see why this distance should be explained as due to some lost source. The fact that ancient herbals are not 100% original is not an axiom but an observation based on the comparison with other manuscripts. If an illustration cannot be compared with other sources, it is normally assumed to be an original creation. I think that Egerton 747 is largely original, but in part still derived from earlier sources. Its originality was highly exceptional when it was written (1300 ca) and makes it important in art history. That ms is the earliest case of a break with a tradition that had been mostly unchanged for several centuries. After this first break with tradition, other innovative works followed, some in the naturalistic line (e.g. the Carrarese Herbal Egerton 2020 -1400 ca-, Guarnerinus' Bergamo MA 592 -1441-, Auslasser's herbal BSB Clm 5905 -1479-) other in a more symbolic line (e.g. Florence Pal 586 -1350 ca-, the “Alchemical Herbal” BL Canon 408 -1378-, Cadamosto's herbal BNF Italien 1109 -1471-). The carbon dating of the VMS and the hints that suggest a Northern Italian origin point to a time and area in which the production of original herbal illustrations is well documented. I guess this flourish of original illustrations can be seen as one of the manifestations of the Renaissance. (21-04-2017, 08:46 AM)Koen Gh. wrote: You are not allowed to view links. Register or Login to view.So while the diagram you offer is not entirely impossible, I do favor Rene's more cautious note on his site: I think Rene's observation might be related to what he wrote above: (20-04-2017, 07:56 AM)ReneZ wrote: You are not allowed to view links. Register or Login to view.The Paris illustration is somewhat different, and more similar to the Voynich image. I would like to know more about this. If there are good reasons to believe that BNF Lat 6823 was not in Northern Italy, then direct transmission must be excluded. One could then think of an unknown copy of Lat 6823: the arrows in my diagram (and maybe also in formal “stemma” diagrams?) can be seen as direct or indirect transmission, possibly through intermediate copies. Occam requires that there must be good reasons to introduce hypothetical sources. A hypothetical copy of a specific ms that explains a specific parallel seems to me a reasonable idea. RE: [split] f35v parallels "oak and ivy" - Koen G - 21-04-2017 RE: [split] f35v parallels "oak and ivy" - MarcoP - 21-04-2017 RE: [split] f35v parallels "oak and ivy" - -JKP- - 21-04-2017 RE: [split] f35v parallels "oak and ivy" - Koen G - 21-04-2017 RE: [split] f35v parallels "oak and ivy" - -JKP- - 22-04-2017 RE: [split] f35v parallels "oak and ivy" - MarcoP - 22-04-2017 RE: [split] f35v parallels "oak and ivy" - ReneZ - 22-04-2017 RE: [split] f35v parallels "oak and ivy" - Koen G - 22-04-2017 RE: [split] f35v parallels "oak and ivy" - -JKP- - 22-04-2017 |